Post by aubrey on Feb 25, 2012 19:39:38 GMT
Lina Romay, muse of and collaborator with Jess Franco, has died.
She was only 57.
(They are both in the picture on the right.)
Short obituary, with a film in which Jess and Lina describe how they met
Lina and Jess.
A longer and more personal obituary.
A sad detail:
at the time he recorded the interview, he asked Lina to sign something and she responded "Me?" She had starred in at least 100 films and no one before Kevin had ever asked Lina Romay for her autograph. (This changed.)
"No other woman gave quite as much of herself to the fantastic cinema as Lina Romay. As Franco's muse, she inspired and facilitated as many as 200 or more films, and in many of them she withheld nothing of herself from his voracious camera, body or soul. Theirs was an ideal meeting of exhibitionist and voyeur, both giving generously to one another in one of cinema's most provocative love stories. As the years passed, Lina changed and her body changed, but it never mattered to Franco, who continued to star her and film her as if she were the most desirable woman on earth. This is not to say that Franco's adoration of her was blind; on the contrary, Lina became a skilled actress under his tutelage, acquitting herself admirably not only as vampire women and nymphomaniacs, but in roles requiring the deft touch of a light comedienne. She could carry a film without dialogue; she could be funny, tragic, insanely desirable, shocking, even embarrassing in ways that left one admiring her bravery."
She was only 57.
(They are both in the picture on the right.)
Short obituary, with a film in which Jess and Lina describe how they met
Lina and Jess.
A longer and more personal obituary.
A sad detail:
at the time he recorded the interview, he asked Lina to sign something and she responded "Me?" She had starred in at least 100 films and no one before Kevin had ever asked Lina Romay for her autograph. (This changed.)
"No other woman gave quite as much of herself to the fantastic cinema as Lina Romay. As Franco's muse, she inspired and facilitated as many as 200 or more films, and in many of them she withheld nothing of herself from his voracious camera, body or soul. Theirs was an ideal meeting of exhibitionist and voyeur, both giving generously to one another in one of cinema's most provocative love stories. As the years passed, Lina changed and her body changed, but it never mattered to Franco, who continued to star her and film her as if she were the most desirable woman on earth. This is not to say that Franco's adoration of her was blind; on the contrary, Lina became a skilled actress under his tutelage, acquitting herself admirably not only as vampire women and nymphomaniacs, but in roles requiring the deft touch of a light comedienne. She could carry a film without dialogue; she could be funny, tragic, insanely desirable, shocking, even embarrassing in ways that left one admiring her bravery."